Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023



    May 01, 2024

    Hmmm...

    I don't know, there are two things that jump out to me from this story. For one, you tend to utilise a lot of 'blank lines'. It's not a consecrated term by any means, rather it's how I describe a line that has no purpose other than what is stated within the sentence. It's almost always simple descriptives like 'He shouted' or 'She felt/looked sad'. They are not detrimental in limitation, but your prose seems to be made up almost exclusively of these, so there's nothing to latch on. Which, seeing how you use first person, really throws me in for a loop. I get the point that we might want to feel detached from the main character's perspective, but books such as Dazai's No Longer Human allow the same impression whilst remaining 'artistic.' I suppose my advice would be to practise eliminating some of this fodder, replacing it with something that's more versatile than simple mise-en-scene.

    A second thing is that the ending is drive-off-a-cliff abrupt. I understand the intent behind it; it's meant to shock and put off. But I've read through the story twice and there's really no hint of it, not even with the prose. I strongly believe that with this type of story, the reader needs some semblance of 'vibe' to be able to properly engage with the narrative. Otherwise, you risk them feeling very detached and nonchalant about whatever twist you pull out of your hat. I get that this is something you just wanted to squeeze out quickly, perhaps an exercise, but I think some more forethought can be put in. One idea, which I got by remembering a comic I read earlier today, was how Alzheimer patients typically believe they're stuck in a version of reality where they're younger. However, at times, they'll glimpse their reflection or part of their bodies and see them as they are - withered, creaky and mottled with signs of age. Perhaps something similar can be employed here? A motif which can betray or belie reality? Just a thought.

    That's all I have to say, really. Not much positives to take away unfortunately, sorry.

    Bubbles, out.

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